In the Congolese rumba movement, guitarist Dizzy Mandjeku (born in 1946) is considered a living legend. Before he became a member of the renowned Orchestre OK Jazz, directed by Franco Luambo Makiadi in the 60’s and 70’s, Dizzy had already formed numerous bands in his home country. After Franco’s passing, Dizzy took over the lead of the band and became an indispensable part of the Congolese musical society, standing side by side with Papa Noël, Papa Wemba, Tshala Muana and Verckys. Under the artistic direction of Dizzy, the Orchestre African All Stars International released three albums, each considered true soukous monuments.
Cuban rumba was vibrant in Congo, and soon local traditional elements together with modern instruments were introduced. With Franco and his band T.P.O.K. Jazz at the forefront, the music evolved into a brand new style called Rumba Odemba — not only a musical form, but a way of playing, dancing and dressing that came to define an era.
After moving from Congo to Brussels, Dizzy — who had been a key member of Franco’s orchestra — founded Odemba OK All Stars to keep the unique Rumba Odemba sound alive. Today, the orchestra gathers Congolese musicians based in Brussels, with vocalist Malage de Lugendo (former member of T.P.O.K. Jazz) as lead singer. To this day, the Odemba OK All Stars are Franco’s heirs and defenders of the authentic sound of traditional Congolese rumba, performing Franco’s classics alongside Dizzy Mandjeku’s own compositions.
Throughout his career, Dizzy has also collaborated with a wide range of artists including Waldemar Bastos, Sam Mangwana, Zap Mama, Milow, Baloji, Stromae and Nyboma, bridging generations and genres while carrying forward the timeless groove and elegance of Congolese rumba.
REVIEWS
Odemba Nostalgie – Rumba Congolaise
“Dizzy Mandjeku & Odemba OK Allstars bring pure Franco OK Jazz rumba to the stage – brassy, funky, soukous heaven, with the enduring sound of the 60’s and 70’s getting everyone dancing and whooping.” – Anita Scott (Songlines)
De Palenque À Matongé
“Uplifting, resilient, and brimming with energy.” – Pieter Franssen
“It’s party music, though there are also more intimate moments, such as Si Me Miraras, Morena, where light Afro-Cuban influences emerge, adding a sultrier tone amidst the numerous fiery, exhilarating, and danceable compositions like Tengo Un Dolor. The album’s strength lies in its superb ensemble playing, with fantastic interaction among musicians who all excel and give each other room to shine. The result is a wonderfully rich, lush, and swinging album that leaves a lasting impression. Bonus points for the beautiful artwork and for the translation of the lyrics.” – Philippe De Cleen